{"title":"Art \u0026 Photography","description":"","products":[{"product_id":"my-avant-garde-education-a-memoir","title":"My Avant-Garde Education: A Memoir","description":"\u003cp\u003eA wry and beautifully observed memoir about coming of age in the era of conceptual art.\u003c\/p\u003e\u003cp\u003eGrowing up in the suburbs―confused about his sexuality, about his consumer-oriented world, about the death of his older brother―Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa.\u003c\/p\u003e\u003cp\u003eMy Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer \"of uncommon subtlety and nuance\" (David Ulin, Los Angeles Times). 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Dean writes a compelling story about black gay men in Hip Hop and Hollywood, and what it takes for them to make it the entertainment industry.” – JL King, New York Times bestselling author of On The Down Low\u003c\/p\u003e\u003cp\u003eCelebrated blogger and former MTV insider Terrance Dean reveals a hidden side of Hollywood and hip hop in this explosive and illuminating memoir.\u003c\/p\u003e\u003cp\u003eTerrance Dean worked his way up for more than ten years in the entertainment industry from intern to executive and has lived the life of glitz and bling along with Hollywood and Hip Hop’s most glamorous heavy hitters. As a gay man immersed within the world of the famous and the fabulous, Dean knows well the industry’s secrets and the façade that is kept, that for men, promotes machismo and heteronormative behavior.\u003c\/p\u003e\u003cp\u003eMost of what Dean unveils in this book is fascinating and salacious, but all of it is true. He also shares his own secrets, and an account of the pain of his mother’s addiction, and the poverty and molestation he experienced as a child.\u003c\/p\u003e\u003cp\u003eHiding in Hip Hop is not a traditional tell-all. It’s personal. It’s poignant. 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Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s paintings and collages use dynamic color and form to draw viewers into complex narratives.\u003cbr\u003eBig Butch Energy\/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a figure in a work of art.\u003cbr\u003eNina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design. Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania Academy of the Fine Arts, among others.\u003c\/p\u003e\u003cp\u003eThis book was published in conjunction with Institute of Contemporary Art, Miami\/Museum of Contemporary Art Cleveland\u003c\/p\u003e","brand":"Giovanni's Room","offers":[{"title":"Default Title","offer_id":51018740171063,"sku":"9781636811635","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0934\/9926\/1239\/files\/10266303562039_42051798663479_1756580365797_5333.jpg?v=1756580705"},{"product_id":"for-my-mother","title":"Ren Hang: for my mother","description":"\u003cp\u003eRen Hang, for my MotherPublished by HOPPER\u0026amp;FUCHSIn 2019 stelde Dries Roelens van Stieglitz19 met Ren Hang een selectie van foto's samen als basis voor een publicatie.\u003c\/p\u003e\u003cp\u003eLove, Ren HangJet black hair, porcelain skin, bright red lips and fingernails; figures gazing intensely into the camera; young men and women posing acrobatically with bizarre props; animals and plants in the glaring light of the camera’s flash, situated in urban landscapes, private spaces, or in nature, among rice fields, lotus ponds, and cacti―Chinese artist Ren Hang’s photographs are painfully provocative, but also inward looking and dreamily surreal. His gender-queer compositions are explicitly erotic but never pornographic. Hang depicts the human body as an abstract form, often in idiosyncratic arrangements and perspectives, referencing and simultaneously overwriting well-known motifs and traditions from Western art. He combines iconic images of William Shakespeare’s dying Ophelia in a river surrounded by flowers; of Leda, daughter of a Greek king, and the Swan; and of female nudes seen from behind using a distinctive visual vocabulary that draws on abstraction, Surrealism, Dada, and both historic and contemporary photography. The artistic understanding revealed in his photographs is influenced by East Asian philosophy and, in contrast to Western art, does not endeavor to be original. His work instead continues a school tradition and strives for timelessness; for Hang, as for many Chinese artists, questions of authorship and of original versus copy only arise in confrontation with a Western understanding of art. The juxtaposition of these views gives rise to a new discourse on the forms and structures of collective and pictorial memory.Ren Hang’s analog photographs use a playful, humorous visual language to relate the feelings, desires, fears, and loneliness of a young generation in China. His works stand as symbols of the youth’s rebellion against the conventions of a restrictive communist regime in which nudity and sexual freedom are subject to government censure and control even up to the present day. Most of the people portrayed are the artist’s friends, but they remain unnamed and anonymous, and the images bear neither title nor place nor date. Although carefully staged, they are infused with an element of fleetingness and evanescence that is often the result of the artist’s quick way of working. Ren Hang’s photographs are a rare ode to human beings, their bodies, sexuality, beauty, and vulnerability.C\/O Berlin has shown the exhibition Love, Ren Hang for the first time in Germany. It is a comprehensive retrospective including over 150 recent works by Ren Hang, one of the most important contemporary photographers in China.Ren Hang (b. 1987 in Changchun, China, d. 2017 in Beijing) was a photographer and poet. In 2010 he received the Third Annual Prize for Contemporary Art. His works have been shown in China and Europe at venues including Foam―Fotografiemuseum Amsterdam, MdbK in Leipzig, Ostlicht―Galerie für Fotografie in Vienna (2017), and the Maison Européenne de la Photographie in Paris (2019). He produced numerous photobooks and published his photographs on his website, Facebook, Instagram, and Flickr. His work has gained a growing posthumous following and immense popularity worldwide. 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With rare affection, tact and insight, he paints a vivid portrait of an artist who defied convention and left an indelible mark on both art history and everyone he encountered―including a diverse array of writers, artists and musicians, from Henry Miller and Jean Genet to Baldwin and Georgia O’Keeffe.\u003cbr\u003eTracing Delaney’s humble beginnings in a deeply religious family in Knoxville, Tennessee, to New York, to his untimely demise in a Parisian asylum, Leeming draws not only on his close friendship with the artist but also journals, notebooks, letters and critical reviews, guiding the reader through the evolution of his practice and his remarkable life. As Als writes in his introduction: “Sadly, there are many ways for the queer Black boy to die―but also, many ways for him to live. 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What he doesn't know, though, is that it is Southern Decadence Weekend in the Big Easy. Through a series of unexpected events, his world turns upside down, leading him on an adventure to discover more about gay culture and about himself. At the same time, he gets embroiled in the dangers being faced by the people he loves.\u003c\/p\u003e\u003cp\u003eMeanwhile, back in Wyoming, Nick Scarpelli, the new interim sheriff, responds to a call from the Travis Ranch only to discover two bodies in the barn. Throw in a bank robbery, another murder, and a missing person, and you have a typical Brock Archer mystery\/thriller.\u003c\/p\u003e\u003cp\u003eDiscoveries is full of scintillating scenes with hunky cowboys, cops, firemen, doctors, and other men in various professions. The book also contains many shocking plot twists, and surprising cliffhangers that will keep readers guessing and eagerly turning the pages to see what will happen next. 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Throughout her career, Linder has used photomontage as a potent instrument for dissecting and reshaping the portrayal and commercialization of gender norms and sexual identity. Drawing from source materials extracted from magazines of the late 20th century, she exposes the weighty stereotypes imposed on both ends of the gender spectrum: automobiles, DIY culture and pornography for men; fashion and domesticity for women. In addition to using found images from magazines, Linder has also used photographs of herself taking on various feminine personae, which navigate concepts of personal invention and the performative dimensions of identity. 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As you meditate on the sameness and difference of the vulvas on each page, you will grow to question your interpellation into dominant systems of knowledge. By overwhelming the senses with vulvas, you will interrogate the meaning and very existence of this social construct we call the \"vulva\" and the instructions for living that come with it. Quotations from post-structuralist philosophers, from Foucault to Derrida, Lyotard to Kristeva, accompany the art, and can be colored and even edited into new constructs and timely critiques of the patriarchy. No longer must vulvas be either crudely objectified or shrouded in mystery! All hail the vulva! 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Written during her time as an art student at the School of the Art Institute of Chicago, the journal offers key insights into Lankton’s mind at work before her career-defining move to New York in 1978, where she would become an important figure of the East Village art scene in the 1980s and early ’90s with her lifelike dolls and theatrical sets.\u003cbr\u003eContaining drawings, behavioral diagrams and aspirational, occasionally confessional writing, the journal is a record of imagining the body and mind reconciled through transformation. In these pages, the 19-year-old turns an inquisitive, sociological eye toward the emotional landscape and somatic effects of the days recorded here; days leading up to her decision to undergo hormone treatment and gender-affirming surgery in 1979. 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